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July 16th, 2009
Fantasia: Life Is Hot in Cracktown
Write a comment on this article !
Read members’ comments [1]

Some like it hot
Melora Koepke
 


Drug wars, poverty and hard luck pervade in Giovinazzo's down-and-out L.A.

Buddy Giovinazzo's Combat Shock and Life Is Hot in Cracktown are a first for Montreal audiences at Fantasia

Buddy Giovinazzo is the kind of director many guests at Fantasia over the years have aspired to be, but he's the real thing. His 1986 masterpiece Combat Shock is a harrowing nightmare of the all-too-human kind, in which the director's own brother Ricky plays a Vietnam vet who comes to NYC to live much lower than the poverty line in the ghost town of his own life.

Life Is Hot in Cracktown, the movie Giovinazzo has been trying to make almost since his novel came out in 1993, is a compassionate extrapolation of the same themes he's been exploring throughout his career, beginning with Combat Shock - only now he has (a bit) of a budget and professional actors to carry out his worldview, so that the whole thing is stretched taut over two hours of some of the most uncomfortable stuff I've ever seen on the screen.

Up-and-comer Victor Rasuk plays Manny, a young father working two jobs (bodega and security guard in a fleabag SRO) and married to a frequently shirtless Shannyn Sossamon, whose life touches many of the people who live on the mean streets of this L.A. neighbourhood, including RZA, Ileana Douglas, Lara Flynn Boyle and Kerry Washington as a pre-op transsexual.

The complex lives of gangbangers has become more familiar territory since
The Wire, but still there is something engrossing about a story lodged so far inside the war on drugs that you can't even see your way out. Not to be missed, under any circumstances.

Life Is Hot in Cracktown
At the Fantasia Film Festival, July 9-29
For full schedule, see www.fantasiafest.com









 
 



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~Fantasia 2009: IV~  
 
No offence meant here but this is a bit besides the point, isn't it? I mean, in terms of Fantasia and all the genre projects and genre directors that struggle to get the same sort of respectability and attention that most mainstream filmmakers get without even trying and what does this article do? Plug one of the most mainstream films at this year's Fantasia. Seriously? I'm not knocking Combat Shock or Life Is Hot in Cracktown (which I'll be watching later today) but either project can garner attention without the benefit of Fantasia whereas there numerous films and shorts here that will only shine during Fantasia before they go directly to DVD. Kinda like reporting on the Jazz festival where there are many names acts that people still aren't familiar with by doing a feature on some established legend. I get the logic involved but kind of skewed effectiveness.

Pedro Eggers

July 20th, 2009


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