This is Ibiza, and the philosophy that the island's party people subscribe to, as portrayed in Canadian director Michael Dowse's latest mocumentary It's All Gone Pete Tong.
Exaggerating the amount of blow humanely possible for someone to snort was what I expected from Dowse whose 2002 film Fubar turned a head-banger's battle with testicular cancer into a philosophy on the pitfalls life: "Deaner's gonna keep on given'r and that's all there is to it."
Thanks Dean.
Taking the same approach he used with head-banger heroes Terry and Dean, Dowse illuminates Ibiza's infamous island club culture by chronicling the rise and fall (less rise, more fall) of superstar DJ Frankie Wilde (Paul Kaye).
It's painfully obvious that anyone, including DJs with unlimited access to fame, sex, and drugs, faces possible ruin. And while the scenes of Wilde walking around in his bathrobe with sticky cokesnot dangling from his nose are funny, they are also redundant and take away from the film's real focus: Wilde's loss of hearing.
Cockney for it's all gone wrong, Pete Tong begins at the height of Wilde's career and leads us into the downward spiral of a drug-addicted deaf DJ.
As we watch
Comments like this have provoked accusations that Dowse's film is insensitive towards the deaf. In a recent interview, he said it's merely knee-jerk reactions by critics sitting on their moral high horse.
But brilliant acting by Kaye and an appearance by Paul Spence (Fubar's Dean) as Austrian heavy-metal guitarist Alfonse, help save this film from being just another comedy poking fun at a sub-culture, drug addictions and disabilities. Though not as good as Fubar, it will likely become another cult classic.
IT'S ALL GONE PETE TONG DIRECTED BY MICHAEL DOWSE CHECK LISTINGS
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