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July 9th, 2009
Jazz: Beirut
Write a comment on this article !

Lost to the world
Ilana Kronick
 


Condon: Horrible at limiting himself
photo: Kristianna Smith

Please excuse Beirut frontman Zach Condon for needing to shut everything out

There are many random things that might interest you about Beirut's young and talented Zach Condon: He's a self-proclaimed francophile, he's often called an airhead (and he agrees with it), he never learned how to play guitar because of a wrist injury, he'll likely have a poutine as soon as he gets here... But that's all colour. The substance behind this 23-year-old gypsy-spirit is entirely based on his relationship with music, an expansive, all-consuming, obsessive attachment that Condon feels profoundly.

"Music is incredibly serious for me. There's nothing funny about it. I've never even had any other hobbies in my life," he says from his home base in Brooklyn. "I'm a very distractible person, but when it comes to writing music, I'm good at shutting things out. I tend to forget that there's a world outside"

In case it isn't obvious when listening to Beirut - the worldly, free-folk project he fronts with a couple handfuls of skilled players - Condon comes from a family of jazz musicians. Accordingly, his taste is broad, but harnessed. He likes everything from Balkan and klezmer music to the Magnetic Fields and Serge Gainsbourg, and (aided and abetted by trumpet, ukulele and his majestic croon) his influences penetrate the accessible fabric of his songs.

"I've
always been horrible at limiting myself. It's always a toss-up which direction to go in," he says. "But it's pop. Whatever I play, I try to sing pop through it."

Beirut
w/ The Dodos
At Métropolis (59 Ste-Catherine E.), July 11, 8:30 p.m.













 
 



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