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January 22nd, 2009
Piaf at the Centaur
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No regrets
Brett Hooton
 


Emmerson as Piaf shows Montreal some love
photo: Larry Auerbach

Nothing less than love (and pain, and music) is at the heart of Naomi Emmerson's Piaf: Love Conquers All

Naomi Emmerson was given a cassette tape and asked to become Edith Piaf. That was 1993, the first year the Montreal-born actress starred in Piaf: Love Conquers All. The experience started a love affair that's still going strong after 15 years. "It's the sound of an era," Emmerson says of the music. "As soon as you hear that weeping violin and accordion, it resonates."

That initial run jumpstarted Emmerson's diverse acting career. In 2005, she decided it was time to reunite with the object of her early theatrical affections. She reworked the show - also serving as director and producer - and never looked back. When Piaf arrives at Centaur this week, it will be the latest stop for a production that has circumnavigated the globe.

The mainly one-woman musical drama invites audiences into Piaf's boudoir where she recounts experiences from her tumultuous life, punctuating the anecdotes with her most famous songs, such as La Vie en rose and Non, je ne regrette rien. Emmerson attributes the show's success to its accessibility and emotional impact: "Piaf was singing the blues of her time in that the lyrics are about the downtrodden and the absolute pain of love. That comes through even today."

Emmerson has gone on to acquire a veritable library of Piaf memorabilia. Nevertheless, she occasionally scans YouTube for newly unearthed clips of the singer. She's
a devoted fan at heart, and, if nothing else, she hopes her production will inspire theatregoers to rediscover one of history's unforgettable voices. "You never know," she says, "maybe the music will affect the rest of their lives, like it did mine."

Piaf: Love Conquers All
At Centaur Theatre (453 St-François-Xavier), Jan. 28 to Feb. 8











 
 



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